The motifs, images, fragments of memories, observations and scenes from contemporary Belarusian reality are central to Svyatogor’s works. The artist sees her practice as a way to critically reflect on her environment: her work explores the contradictions and paradoxes of her life in Belarus. Svyatogor’s works are composed of different elements and layers of reality, taken from her own photographic works or appropriated from archival documents, transformed into complex narratives that lie between logic and absurdity. Svyatogor employs photomontage as a way to reassemble a new narrative, by bringing together artefacts and images that play an important role in the collective memory and history of Belarus.